de Neville Tranter
adaptation mise en scène : Annie Korach, avec François Juszezak

Création printemps 2009 

photos : Francis Gaudin - CJF Audiophoto / Passerelle

The Fabulous history of the Kinematograph
by Thomas and Dickson
From 1893 on...
By François Juszezak and Dominique Le Guennec

A brief historical introduction
A pair of scientific charlatans, Thomas and Dickson, travels from city to city presenting their famous kinematographic machine.

• Annie Korach: writing, staging, puppets crafting
• François Juszezak: acting, filmmaking and drawing
• Aimée Leballeur: acting and manipulation
• Lionel Poullin: soundtrack composition and stage managing
• Dominique Le Guennec: super-8 movies production and scenery construction

By Dominique Le Guennec and François Juszezak

Started in 2001, “La vie c’est super 8” is a great ongoing adventure that still nourishes and entertains us.

In 2004, several artistic ideas come out and by 2006, the project is well under way. Some 40 projectors tested in September 2006 allow us to face any situation.

The super-8 format appeared in 1965 replacing the 8mm format that had made the home movie-making popular.
During 15 years, this little cinema found a place in every home, only to be ousted in the 80’s by home video-making. Though the super-8 format is often considered as outdated, it is still used and chosen by many artists for either aesthetic and/or economical motives. 

« Le paysage dans la bouilloire » (“the landscape in the kettle”)
is one of our lasting shows.

Since its creation in 1996 at the “Théâtre du Parc Pasteur”, the show has never stopped evolving and improving on stage.
A musical, pictorial and wordless adventure, this « landscape » is designed for everybody. It was performed in France, of course, and elsewhere, in farther lands, but its journey is not achieved yet. That is why our “kettle” remains in the repertory